interpretive sequenceThis project examines the translation of a traditional haiku into a visual system, utilizing structure, proportion, and abstraction. Working within a √2-based grid, I developed a sequence of eight interconnected panels that combine typography, geometric forms, and non-literal imagery to interpret the poem’s tone and rhythm. Rather than illustrating the haiku directly, the design focuses on simplicity and suggestion—using black-and-white elements, spatial relationships, and visual hierarchy to evoke meaning.
Media: Adobe Illustrator, Adobe Photoshop
Process workThis project incorporates cyanotype printing as both a visual and conceptual tool to evoke the presence of sunlight and the rhythms of the natural world. The process—driven by direct exposure to UV light—allows light itself to become an active collaborator, imprinting organic forms and subtle variations onto the surface.
Medium: Cyanotype Printing
